מעשה הציור עבורי הוא תהליך של התקרבות, למידה, אינטימיות, הבנה והעלמות בטבע.
במלאכת הציור אני מנסה להבין את אופן הראיה המאפשרים את תחושת היופי וההנאה המצויים במחיצת הטבע. אני מעריצה ויראה את הטבע – מרחוק.
אני פאגאנית מודרנית
אנשים הם חלק מהטבע ואני מתייחסת אליהם באותה כוונה כפי שאני מתייחסת לנוף
לכן, אינני מחפשת הבעות פנים, ביטויים פסיכולוגיים או רעיונות מאירים, כל ענייני בחווית היופי המצוי בטבע.
מאחורי הציור לא מסתתר כל סיפור, ואין מה לכתוב עליו.
בציור אני מנסה לקבע את רצף הרגעים הנחווים. והמתבונן יכול לחוות אותם גם כן.
rn in Israel in 1951
2000-2003 studied art with Israel Hirshberg at Jerusalem Studio School (JSS)
1988-1990 studied art at Haifa university
1980-1981 studied art in Tel-Hai School of Art
1977-1980 studied in “Kalisher” School of Art
Exhibitions
1987 solo exhibition in Machanaim art gallery
1987 graduates exhibition of Tel Hai School School of Art at Dizengof center – Tel Aviv
1987 solo exhibition “Tzavta “ Tel- Aviv
2000 solo exhibition the Artists Union Tel Aviv
2003 solo exhibition “Mitzpe Hayamim” gallery
2009 group exhibition Michmanim
2010 group exhibition Beit Haomanim (Artist House) in Ginosar
2011 group exhibition Rosh Pina
2011 group exhibition Art Hotel Haifa
2012 group exhibition “VALEY TRAIN” Kfar Joshua Renewed Train Station
2013 solo exhibition Gallery mizpe Hayamim
2015 solo exhibition in GALLERY MACHANAIM
After many years of studying art and working with different materials, I finally found a teacher who could teach classical methods which I consider a necessary foundation for the art of painting.
Living in the Galilee makes me very interested in painting landscapes – you simply cannot ignore the beauty that surrounds you. I formerly did it in my old, more abstract style and I’m doing it now in a new realistic style.
I am very attracted to the magic in painting, creating the illusion of a world , a life on a piece of canvas. Yes, there is still room for such paintings in our modern word , although nothing can capture nature the way the human eye does.
Its the work of the eye and the brain, the visual game they play that makes the process of unique perception, and the moment of painting unrepeatable.
I admire nature – from a distance.
The work of painting is a process of getting close , learning, intimacy, understanding and becoming one with nature.
People are nature too – I regard them in the same way.
I try to understand the way that our vision transmits the feelings of beauty and pleasure which exist in nature.
I try to capture the sequence of moments experienced.
The viewer can experience them too.
